If you belong to a writing group, you probably have the pleasure of others “getting” where you are coming from. This could provide supportive energy. Everyone needs folks in their lives who wish them well and understand their values and even their stories. This knowledge could also become a detriment.
What do I mean?
Let’s say you wrote a poem about swimming in Lake Morey. Your group might know that you visited that lake many times and once had an accident. With this perspective in mind, the conversation might lean more toward your history than toward the craft of your piece. For example, instead of discussing the poem’s structure, sounds, techniques, etc., the group makes such comments as:
“I remember you telling us about that.”
“Why didn’t you also include that your brother pushed you in?”
“I thought you were with friends, not relatives.”
While it is lovely that group members know you as a person, ultimately, most of your readers will not know you personally.
Each piece should stand on its own. Most importantly, the group could be most helpful if they responded to the work.
Farmer Writing and Editing
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